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Legendary crime writer Jim Thompson was many things: hobo, bellhop, roughneck, boozer, factory worker, Marine, devoted father and husband, and, for a brief time, a registered Communist. That last role is rarely mentioned in Thompson’s story as one of America’s most fearless purveyors of pulp-fiction-as-art—in the same league as hard-boiled luminaries like James M. Cain, Dashiell Hammett, Raymond Chandler, and Chester Himes—decades before Quentin Tarantino made the genre fashionable.
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